In Chance Versus Causality: The New Realists filmamker Babeth Mondini-VanLoo uses the principle of chance the visualise the European art movement Nouveau Réalisme, which emerged in Milan in 1960s. The film follows one of its main protagonists, Daniel Spoerri, and his work in San Francisco, Paris, and Cologne. Working with Expanding Cinema, often using multiple screens, Babeth also explored chance as a guiding principle for this film, to evoke crucial impulses and contribute important elements to the spirit of the art movement she is trying to capture. ~
showcased at EMAF '24, Osnabrück
Run Time: 35'
Year of production: 1976-1979
Country of production: Netherlands/United States of America
Presentation Format : 2 16mm projectors
