A performance executed by recreating the primitive systems of colour photography, not to reconstruct its result but to decompose it – obtaining, on the same screen, sectors in black and white that are immobile and the chromatic separation of the figures seen in movement. The images suggest a critiqu...

In nineteenth-century panoramas, viewers were placed in a central, ideal position, each one turning their gaze (and body) in order to be immersed in the illusion of presence before a painted landscape. Movie camera panning is problematic. It does not present utility applied to visual narration. As a...

An improvisational, loop-based, expanded cinema and sound performance, part of Maja Milić's long-term project Other which uses found footage as experimental (auto)ethnography. The central aspect is the conceptual idea of gesture as holder or container of subtle cultural history, as well as the body...

hic&nunc is about materiality and reproduction, reconstruction and metamorphosis. The film records an action that crystallises the gestures of the artist at work into a multitude of impressions. We discover details of materials, drips, surfaces and human appearances, creating surprise effects. We wi...

Plant Time relates analog filmmaking processes with a trash heap made of ancient Roman amphorae and is framed by concepts of time drawn from the poet J.H. Prynne’s “Plant Time Manifold” transcripts of 1972.

Part of the program curated by Ricardo Brunn for LaborBerlin for Internationale Kurzfilma...

Distant Feeler was a contraption created by the artist duo Goliatus & Carabida as the result of their attempt at creating a telepathic cinema; a project they worked on from 1977 to 1997. What is left of their project are the remnants of a device called: “Distant Feeler” and a manifesto.

Part of ...